April 8, 2024
Alcina review
“In the role of Oberto, soprano Kinneret Ely (USA/Israel) brought to the set a beautifully colored voice, with power in the shimmering and penetrating high and super-high registers, especially fine in the aria “Barbara: io ben lo so” from the third act.” (Translated from Romanian)
(Read the entire review here.)
January 18, 2023
Interview on Something (Rather than Nothing), Instagram live stream
Listen to Kinneret Ely’s interview with Ken Volante on his Instagram live stream of Something (Rather than Nothing).
(Part 1)
(Part 2)
(Part 3)
March 15, 2022
Interview on the Chris Sarabia Show
Listen to Kinneret Ely’s interview on the Chris Sarabia Show.
(Listen here)
November 23, 2021
Article in Classical Singer Magazine
Appearance in Eugenia Forteza’s article “The Social Artist,” in the November/December 2021 issue of Classical Singer Magazine.
July 17, 2021
Interview on the Chris Sarabia Show
Listen to Kinneret Ely’s interview on the Chris Sarabia Show.
(Listen here)
June 21, 2021
Teatro Grattacielo 2021 Review: Annual Fund Gala
”Soprano Kinneret Ely who sang “Levommi il mio pensier in parte ov’era (My thought raised me to a place),” followed Sequera, with Ely’s reflective presence reinforcing the etherealness of the text.”
-Chris Ruel, OperaWire
(Read the entire review here.)
March 31, 2021
Umberto Giordano - Fedora
”…the lines voiced with an apt aura of bright-toned innocence by soprano Kinneret Ely…”
-Joseph Newsome, Voix des Arts
(Read the entire review here.)
March 25, 2021
Interview on Something (Rather than Nothing) Podcast
Listen to Kinneret Ely’s interview with Ken Volante on his podcast Something (Rather than Nothing).
January 23, 2021
Interview on the Chris Sarabia Show
Listen to Kinneret Ely’s interview on the Chris Sarabia Show.
(Listen here)
December 3, 2020
”Teatro Grattacielo 2020 Review: Fedora”
”[Eugenia] Forteza and soprano Kinneret Ely in their shorter roles also bring an absolutely special sound into the cold surrounding.”
-Polina Lyapustina, OperaWire
(Read entire review here)
June 13, 2016
"Six languages, no less!"
“…it was a pleasure to hear [a soprano] with a unique tone. ... a rich mezzo-soprano quality in her lower register. …exciting coloratura… We are sure to be hearing more from this promising young artist."
-Meche Kroop, Voce di Meche
(Read entire review here)
May 28, 2016
"Opera soprano presents hometown concert"
"Soprano Kinneret Ely doesn't often perform in Williamsburg, a place she once called home, but that makes any chance to do so all the more special.
Ely will present an evening of song in the Williamsburg Library Theatre on Wednesday, June 1.
She now lives in New York, pursuing an opera career. Most recently, Ely took the stage in Opera NOVA's "Il Barbiere di Siviglia" as Rosina, and her September concert in Tel Aviv, Israel, was broadcast on Israel's Classical Music radio station."
-Heather Bridges, The Virginia Gazette
(Read entire article here)
Feb 25, 2016
Concert review (Tel Aviv)
"For the last few years American-Israeli soprano Kinneret Ely has arranged to do in Israel a recital once or twice a season, and this makes it possible to follow her technical and artistic development closely and in depth.
Last night, she performed at the Felicja Blumental Music Center, and as usual created an attractive and surprising program (details in the comments), most of it Lieder covering a wide stylistic range. Especially beautiful and memorable was the Israeli part of the evening, which was sung in a captivatingly simple way: warm, direct, transparent singing, true to the style, with no iota of operatic affectations.
Ely reserved her show of technique for the 'Shadow Song' by Meyerbeer, in a sweeping performance, culminating with the complex cadenza with flutist Anna Kondrashina - with whom she already collaborated successfully in the 'Mad Scene' from Lucia di Lammermoor in her last recital.
One should also note the delightful encore, 'Vanilla Ice Cream', from the musical She Loves Me. Pianist Dan Deutsch provided excellent and sensitive support to the singing and he played Strauss' 'Morgen' with great delicacy." -Amir Kidron, Music4awhile (translated from Hebrew)
Oct 14, 2015
"Bernstein Remembered" concert review
"No Bernstein tribute would be complete without selections from Candide, and indeed we had two. The first was 'Glitter and Be Gay', a coloratura showstopper requiring a singer to be Queen of the Night and a Rockette all rolled up into one. Soprano Kinneret Ely was both, giving a high-energy performance." -Rorianne Schrade, New York Classical Review